Agent Carter's five-minute sequence incorporates several
aspects of the film, including sound, angles/shots, editing, and mise-en-scene.
To begin, let's discuss sound. Post-synchronized dubbing is used seconds after
the movie starts. The two characters' discussion is placed on a Marvel
character cartoon filmstrip. Diegetic sound is also used in the opening scene
when the office alarm goes off and the man answers the phone to listen to the
emergency recording. A nondiegetic sound is introduced when the businessmen
move up the stairs. In this scenario, we can hear the music, but the characters
couldn't have heard it while filming. Then Agent Carter fights off all of the
attackers (grunting and punching), and this is an example of direct sound when
the character screams for help. Following that, I focused on camera angles and
various types of images. Throughout the five-minute action, the most of the
images were taken at eye level, with the exception of a couple. A point of view
shot is revealed when the man is on the phone and looks down at the piece of
paper. To gain a clear idea of what he's looking at, we see the paper via
"his eyes." After removing her significant other's photograph off her
desk, carter holds it in her hands in another point of view shot. A high angle
shot is briefly shown when Agent Carter compels one of her victims to kneel
down on the ground and shackles him to a pipe. In this brief moment in which
the viewpoint is recorded from above, the guy appears small, which is essential
since he is small at the time because he has no authority and is completely
controlled by Agent Carter. Some editing techniques were also found in the
Agent Carter short clip. A cut occurs when the scene shifts to a year later,
however this cut is also a fade because the colors fade away and the screen
goes dark. Another editing process is demonstrated in the five-minute film when
Agent Carter is speaking with the man piloting the spaceship. The filming
switches between the two characters to create suspense. Another type of editing
that can be seen when the alarm goes off is leitmotif. Even while leitmotif
sound is typically nondiegetic, it is in this case because the audience and
characters are all aware that when the alarm goes off, a crime is in progress
that demands special assistance. Finally, I recognized elements of
Mise-en-scene in the Agent Carter clip. Agent Carter is at her office as the
scenario in this film begins. We can tell that none of the men take Agent
Carter seriously because she is a woman, as proven by the scene change at the
gas station where Agent Carter is knocking them out one by one. Throughout the
video, low-key lighting is used to create a sensation of suspension and
tension. This illumination is especially crucial when agent carter is at the
gas station, trying to get past all of the males in her way.
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